


Pilgrimage as a Tool for Perception and Form of Counter-Cartography
“Pilgrimage as a Tool for Perception and Form of Counter-Cartography”, co-authored with Roxana Perez-Mendez, Special Issue Walking Art Research Practice (WARP) xSoap Box: A Journal for Cultural Analysis. In collaboration with the CUS – Centre of Urban Studies (UvA), ASCA – Amsterdam School for Cultural Analysis (UvA), ARIAS – Platform for Research through the Arts and Sciences and NICA – Netherlands Institute for Cultural Analysis. Published September 1, 2023. (Peer Reviewed).
This essay emerges from the aftermath of Hurricane Maria and examines pilgrimage as an embodied walking art practice for rebuilding kincentric relationships with the natural world. The essay and work treat walking as a method of creative inquiry shaped by environmental rupture, recovery, and attentiveness to land. Pilgrimage routes function as active research sites where movement becomes a way to listen, register, and respond to ecological and social change. Participants of the walk are understood not as observers but as part of the work itself, engaging in a practice that merges radical cartography, “emergent strategy”, and social practice. Drawings, notes, mappings, and other trace elements operate as a living field guide, documenting how bodies in motion can generate knowledge, care, and orientation amid ongoing environmental, political, and cultural shifts.




